Early Cultural Writings

 

CONTENTS

 

Pre-content


Post-content
 

 

Part One

The Harmony of Virtue

 

The Sole Motive of Man's Existence

The Harmony of Virtue

Beauty in the Real

Stray Thoughts

 

Part Two

On Literature

 

Bankim Chandra Chatterji

His Youth and College Life

The Bengal He Lived In

His Official Career

His Versatility

His Literary History

What He Did for Bengal

Our Hope in the Future

 

On Poetry and Literature

Poetry

Characteristics of Augustan Poetry

Sketch of the Progress of Poetry from Thomson to Wordsworth

Appendix: Test Questions

Marginalia on Madhusudan Dutt's Virangana Kavya

Originality in National Literatures

 

The Poetry of Kalidasa

A Proposed Work on Kalidasa

The Malavas

The Age of Kalidasa

The Historical Method

The Seasons

Hindu Drama

Vikramorvasie: The Play

Vikramorvasie: The Characters

The Spirit of the Times

On Translating Kalidasa

Appendix: Alternative and Unused Passages and Fragments

 

On the Mahabharata

Notes on the Mahabharata

Notes on the Mahabharata [Detailed]

 

Part Three

On Education

 

Address at the Baroda College Social Gathering

Education

The Brain of India

A System of National Education

The Human Mind

The Powers of the Mind

The Moral Nature

Simultaneous and Successive Teaching

The Training of the Senses

Sense— Improvement by Practice

The Training of the Mental Faculties

The Training of the Logical Faculty

Message for National Education Week (1918)

National Education

A Preface on National Education

 

Part Four

On Art

 

The National Value of Art

Two Pictures

Indian Art and an Old Classic

The Revival of Indian Art

An Answer to a Critic

 

Part Five

Conversations of the Dead

 

Dinshah, Perizade

Turiu, Uriu

Mazzini, Cavour, Garibaldi

Shivaji, Jaysingh

Littleton, Percival

 

Part Six

The Chandernagore Manuscript

 

Passing Thoughts [1]

Passing Thoughts [2]

Passing Thoughts [3]

Hathayoga

Rajayoga

Historical Impressions: The French Revolution

Historical Impressions: Napoleon

In the Society's Chambers

At the Society's Chambers

Things Seen in Symbols [1]

Things Seen in Symbols [2]

The Real Difficulty

Art

 

Part Seven

Epistles / Letters From Abroad

 

Epistles from Abroad

Letters from Abroad

 

Part Eight

Reviews

 

"Suprabhat"

"Hymns to the Goddess"

"South Indian Bronzes"

"God, the Invisible King"

"Rupam"

About Astrology

"Sanskrit Research"

"The Feast of Youth"

"Shama'a"

 

Part Nine

Bankim — Tilak — Dayananda

 

Rishi Bankim Chandra

Bal Gangadhar Tilak

A Great Mind, a Great Will

Dayananda: The Man and His Work

Dayananda and the Veda

The Men that Pass

 

Appendix One

Baroda Speeches and Reports

 

Speeches Written for the Maharaja of Baroda

Medical Department

The Revival of Industry in India

Report on Trade in the Baroda State

Opinions Written as Acting Principal

 

Appendix Two

Premises of Astrology

 

Premises of Astrology

 

Note on the Texts

On Poetry and Literature  


 

Poetry

 

Poetry I take to be the measured expression of emotion. Of prose one asks, does the matter please, stimulate or instruct the intellect; does the style satisfy a cultured taste & observant literary sense; if it does so, it is good prose, whether it moves the heart or not. Of poetry we ask, does the matter move, stimulate, enlarge, heighten, or deepen the feelings; does it excite emotions of delight, sorrow, awe, sublimity, passionate interest, or if the nature of the subject matter is not such as to excite actual emotions, does it excite certain vague &nameless sensations, the quiet stirring of the heart which attends the perception of beauty, or the august tumult which goes with the sense of largeness & space or the quick delight of increased horizons & heart-searching perceptions, does it give us the sense of power & passion? If it does, we have the material of poetry, but not yet poetry. Prose can and often does create similar effects. Great thoughts, beautiful description, noble narrative will always have this power on the soul. We have also to ask, does the language & verse harmonise with the emotion, become part of it & expressive of it, swell with its fullness and yet bound & restrain it? If it does, then we have poetry, a thing mighty & unanalysable, to usurp whose place prose vainly aspires. Matter by itself does not make poetry; skill in verse & diction is not poetry; striking & brilliant phrases, melodious weavings of sound are not poetry; it is the natural & predestined blending or rather inseparable existence of great matter with great verse producing high emotions or beautiful matter with beautiful verse producing soft emotions that gives us genuine poetry. An identity of word & sound, of thought & word, of sound & emotion which seems to have been preordained from the beginning of the world and only awaited its destined hour to leap into existence, or rather was

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there from the beginning of the world & only dawned into sight at the right time, this rare identity is what we call poetry.  

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