Early Cultural Writings

 

CONTENTS

 

Pre-content


Post-content
 

 

Part One

The Harmony of Virtue

 

The Sole Motive of Man's Existence

The Harmony of Virtue

Beauty in the Real

Stray Thoughts

 

Part Two

On Literature

 

Bankim Chandra Chatterji

His Youth and College Life

The Bengal He Lived In

His Official Career

His Versatility

His Literary History

What He Did for Bengal

Our Hope in the Future

 

On Poetry and Literature

Poetry

Characteristics of Augustan Poetry

Sketch of the Progress of Poetry from Thomson to Wordsworth

Appendix: Test Questions

Marginalia on Madhusudan Dutt's Virangana Kavya

Originality in National Literatures

 

The Poetry of Kalidasa

A Proposed Work on Kalidasa

The Malavas

The Age of Kalidasa

The Historical Method

The Seasons

Hindu Drama

Vikramorvasie: The Play

Vikramorvasie: The Characters

The Spirit of the Times

On Translating Kalidasa

Appendix: Alternative and Unused Passages and Fragments

 

On the Mahabharata

Notes on the Mahabharata

Notes on the Mahabharata [Detailed]

 

Part Three

On Education

 

Address at the Baroda College Social Gathering

Education

The Brain of India

A System of National Education

The Human Mind

The Powers of the Mind

The Moral Nature

Simultaneous and Successive Teaching

The Training of the Senses

Sense— Improvement by Practice

The Training of the Mental Faculties

The Training of the Logical Faculty

Message for National Education Week (1918)

National Education

A Preface on National Education

 

Part Four

On Art

 

The National Value of Art

Two Pictures

Indian Art and an Old Classic

The Revival of Indian Art

An Answer to a Critic

 

Part Five

Conversations of the Dead

 

Dinshah, Perizade

Turiu, Uriu

Mazzini, Cavour, Garibaldi

Shivaji, Jaysingh

Littleton, Percival

 

Part Six

The Chandernagore Manuscript

 

Passing Thoughts [1]

Passing Thoughts [2]

Passing Thoughts [3]

Hathayoga

Rajayoga

Historical Impressions: The French Revolution

Historical Impressions: Napoleon

In the Society's Chambers

At the Society's Chambers

Things Seen in Symbols [1]

Things Seen in Symbols [2]

The Real Difficulty

Art

 

Part Seven

Epistles / Letters From Abroad

 

Epistles from Abroad

Letters from Abroad

 

Part Eight

Reviews

 

"Suprabhat"

"Hymns to the Goddess"

"South Indian Bronzes"

"God, the Invisible King"

"Rupam"

About Astrology

"Sanskrit Research"

"The Feast of Youth"

"Shama'a"

 

Part Nine

Bankim — Tilak — Dayananda

 

Rishi Bankim Chandra

Bal Gangadhar Tilak

A Great Mind, a Great Will

Dayananda: The Man and His Work

Dayananda and the Veda

The Men that Pass

 

Appendix One

Baroda Speeches and Reports

 

Speeches Written for the Maharaja of Baroda

Medical Department

The Revival of Industry in India

Report on Trade in the Baroda State

Opinions Written as Acting Principal

 

Appendix Two

Premises of Astrology

 

Premises of Astrology

 

Note on the Texts

Things Seen in Symbols [2]

 

What is dhyana? Ordinarily, when a man is absorbed in thought and dead to all that is going on around him, he is supposed to be in dhyana. Or concentration of the whole thought on a single object to the exclusion of every other, is called dhyana. But neither of these ideas corresponds exactly with the whole truth; they represent only particular stages of the process of meditation. Dhyana is a wide term covering a number of processes which rise from ordinary attention to pa samadhi.

__________

 

The distinguishing feature of dhyana is that it puts out a steady force of knowledge on the object of knowledge. When this process is successful, when there is a steady demand on the object to give up its secret, it is called by Patanjali sanyama. Even when it is only partially successful, it is still dhyana.

__________

 

Ordinary thought is not dhyana. Ordinary thought is simply the restlessness of the mind playing with associations, speculations, trains of reasoning. In order to have dhyana the restlessness of the mind must be utterly stilled, the intellect must become like a calm and movement, not a ripple on its surface. The principle is that all knowledge is in oneself, in the knower. The knower is in myself; he is also in the object of knowledge, say, a stone or a tree. By dhyana the veil of ignorance, the chaos of misunderstandings which interfere between the knower in me and the knower in the tree or the stone is removed; we enter into relation with each other; we are in Yoga.

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All knowledge about the stone is in the stone itself; in dhyana it comes into my mind. When it comes into my mind, the knower in me says, "It is true, the knowledge is in me also and I see it there". Or if there is a mistake, he says, "There is a mistake, the mind is interfering; the knowledge is in me and I see it otherwise".

__________

 

The whole world is one. The knower in the stone and the knower in myself are one; I am He. It is God in me, God in the stone. The knowledge in me and the knowledge in the stone are one; I am That. It is God in me, God in the stone. The stone is an object of knowledge; I am also an object of knowledge. These two also are one, God as myself, God as the stone. God is the only object of knowledge, there is no other. God is the only knower, there is no other. God is the knowledge also. Jnata, jnanam, jneyam, they are one.

__________

 

The mind creates difference. When there is disturbance on the waters, there are many waves, and each wave cries, "I am I, I am I; you are you; we are different." When the sea sinks to rest, the waves as they go inward, no longer cry, "I am I", but "I am He." The still and waveless sea, that is a delightful and beautiful condition. The stormy, myriad crested Ocean, that also is a very beautiful and delightful condition. Only let the waves have the knowledge, let them say, "I am I for the sake of delight; you are you for the sake of delight. But also you are I, I am you. And both you and I are He." That is jnanam, that is Yoga.

__________

 

The still sea is a condition, and the thousand waves are a condition. He who is the sea, is more than disturbance, more than stillness. He contains All. He is All. Even the infinite sea is only one of His manifestations.  

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