Collected Poems

 

CONTENTS

 

Pre-content

 

Part One

 

England and Baroda 1883 ­ 1898

 

 

Poem Published in 1883

Light

 

 

Songs to Myrtilla

Songs to Myrtilla

O Coïl, Coïl

Goethe

The Lost Deliverer

Charles Stewart Parnell

Hic Jacet

Lines on Ireland

On a Satyr and Sleeping Love

A Rose of Women

Saraswati with the Lotus

Night by the Sea

The Lover's Complaint

Love in Sorrow

The Island Grave

Estelle

Radha's Complaint in Absence

Radha's Appeal

Bankim Chandra Chatterji

Madhusudan Dutt

To the Cuckoo

Envoi

 

 

Incomplete Poems from Manuscripts, c. 1891 ­ 1892

Thou bright choregus

Like a white statue

The Vigil of Thaliard

 

 

Poems from Manuscripts, c. 1891 ­ 1898

To a Hero-Worshipper

Phaethon

The Just Man

 

Part Two

Baroda, c. 1898 ­ 1902

 

 

Sonnets from Manuscripts, c. 1900 ­ 1901

O face that I have loved

I cannot equal

O letter dull and cold

My life is wasted

Because thy flame is spent

Thou didst mistake

Rose, I have loved

I have a hundred lives

Still there is something

I have a doubt

To weep because a glorious sun

What is this talk

 

 

Short Poems from Manuscripts, c. 1900 ­ 1901

The Spring Child

A Doubt

The Nightingale

Euphrosyne

A Thing Seen

Epitaph

To the Modern Priam

Song

Epigram

The Three Cries of Deiphobus

Perigone Prologuises

Since I have seen your face

So that was why

World's delight

 

Part Three

 

Baroda and Bengal, c. 1900 ­ 1909

 

Poems from Ahana and Other Poems

Invitation

Who

Miracles

Reminiscence

A Vision of Science

Immortal Love

A Tree

To the Sea

Revelation

Karma

Appeal

A Child's Imagination

The Sea at Night

The Vedantin's Prayer

Rebirth

The Triumph-Song of Trishuncou

Life and Death

Evening

Parabrahman

God

The Fear of Death

Seasons

The Rishi

In the Moonlight

 

 

 

 

Poems from Manuscripts, c. 1900 ­ 1906

To the Boers

Vision

To the Ganges

Suddenly out from the wonderful East

On the Mountains

 

Part Four

 

Calcutta and Chandernagore 1907 ­ 1910

 

Satirical Poem Published in 1907

Reflections of Srinath Paul, Rai Bahadoor, on the Present Discontents

 

 

Short Poems Published in 1909 and 1910

The Mother of Dreams

An Image

The Birth of Sin

Epiphany

To R.

Transiit, Non Periit

 

 

Poems from Manuscripts, c. 1909 ­ 1910

Perfect thy motion

A Dialogue

 

 

Narrative Poems Published in 1910

Baji Prabhou

Chitrangada

 

 

Poems Written in 1910 and Published in 1920 ­ 1921

The Rakshasas

Kama

The Mahatmas

 

Part Five

 

Pondicherry, c. 1910 ­ 1920

 

Two Poems in Quantitative Hexameters

Ilion

          Book

I

II

III

IV

V

   

VI

VII

VIII

IX

 

 

Poems from Manuscripts, c. 1912 ­ 1913

The Descent of Ahana

The Meditations of Mandavya

 

 

Incomplete Poems from Manuscripts, c. 1912 ­ 1920

Thou who controllest

Sole in the meadows of Thebes

O Will of God

The Tale of Nala [1]

The Tale of Nala [2]

 

Part Six

 

Baroda and Pondicherry, c. 1902 ­ 1936

 

Poems Past and Present

Musa Spiritus

Bride of the Fire

The Blue Bird

A God's Labour

Hell and Heaven

Kamadeva

Life

One Day

 

Part Seven

 

Pondicherry, c. 1927 ­ 1947

 

Six Poems

The Bird of Fire

Trance

Shiva

The Life Heavens

Jivanmukta

In Horis Aeternum

 

 

Poems

Transformation

Nirvana

The Other Earths

Thought the Paraclete

Moon of Two Hemispheres

Rose of God

 

 

Poems Published in On Quantitative Metre

Ocean Oneness

Trance of Waiting

Flame-Wind

The River

Journey's End

The Dream Boat

Soul in the Ignorance

The Witness and the Wheel

Descent

The Lost Boat

Renewal

Soul's Scene

Ascent

The Tiger and the Deer

 

 

Three Sonnets

Man the Enigma

The Infinitesimal Infinite

The Cosmic Dance

 

 

Sonnets from Manuscripts, c. 1934 ­ 1947

Man the Thinking Animal

Contrasts

The Silver Call

Evolution [1]

The Call of the Impossible

Evolution [2]

Man the Mediator

Discoveries of Science

All here is Spirit

The Ways of the Spirit [1]

The Ways of the Spirit [2]

Science and the Unknowable

The Yogi on the Whirlpool

The Kingdom Within

Now I have borne

Electron

The Indwelling Universal

Bliss of Identity

The Witness Spirit

The Hidden Plan

The Pilgrim of the Night

Cosmic Consciousness

Liberation [1]

The Inconscient

Life-Unity

The Golden Light

The Infinite Adventure

The Greater Plan

The Universal Incarnation

The Godhead

The Stone Goddess

Krishna

Shiva

The Word of the Silence

The Self's Infinity

The Dual Being

Lila

Surrender

The Divine Worker

The Guest

The Inner Sovereign

Creation

A Dream of Surreal Science

In the Battle

The Little Ego

The Miracle of Birth

The Bliss of Brahman

Moments

The Body

Liberation [2]

Light

The Unseen Infinite

"I"

The Cosmic Spirit

Self

Omnipresence

The Inconscient Foundation

Adwaita

The Hill-top Temple

The Divine Hearing

Because Thou art

Divine Sight

Divine Sense

The Iron Dictators

Form

Immortality

Man, the Despot of Contraries

The One Self

The Inner Fields

 

 

Lyrical Poems from Manuscripts, c. 1934 ­ 1947

Symbol Moon

The World Game

Who art thou that camest

One

In a mounting as of sea-tides

Krishna

The Cosmic Man

The Island Sun

Despair on the Staircase

The Dwarf Napoleon

The Children of Wotan

The Mother of God

The End?

Silence is all

 

 

Poems Written as Metrical Experiments

O pall of black Night

To the hill-tops of silence

Oh, but fair was her face

In the ending of time

In some faint dawn

In a flaming as of spaces

O Life, thy breath is but a cry

Vast-winged the wind ran

Winged with dangerous deity

Outspread a Wave burst

On the grey street

Cry of the ocean's surges

 

 

Nonsense and "Surrealist" Verse

A Ballad of Doom

Surrealist

Surrealist Poems

 

 

Incomplete Poems from Manuscripts, c. 1927 ­ 1947

Thou art myself

Vain, they have said

Pururavus

The Death of a God [1]

The Death of a God [2]

The Inconscient and the Traveller Fire

I walked beside the waters

A strong son of lightning

I made danger my helper

The Inconscient

In gleam Konarak

Bugles of Light

The Fire King and the Messenger

God to thy greatness

Silver foam

Torn are the walls

O ye Powers

Hail to the fallen

Seer deep-hearted

Soul, my soul [1]

Soul, my soul [2]

I am filled with the crash of war

In the silence of the midnight

Here in the green of the forest

Voice of the Summits

 

Appendix

 

Poems in Greek and in French

 

Greek Epigram

Lorsque rien n'existait

Sur les grands sommets blancs

 

Note on the Texts

 

Index of Titles

 

Index of First Lines

 

Nonsense and "Surrealist" Verse

 


 

A Ballad of Doom

 

There was an awful awful man

Who all things knew and none

And never met a Saracen

And always drank a bun.

He said he was a bullywag

And that he did it for fun.

I don't know what a bullywag is

And I don't think he was one.

Of nonsense and Omniscience

He spoke as one who knew

That this was like a temperament

And that was like a hue.

He said there was a phantom sun

That saw a branching sky

And he who could but never should

Was always God's best boy.

And he who should but never could

Was not in the savoury jam

That thronged the gates of Paradise

Jostling the great I am.

He said he saw a smudgy moon

A down a patterned ridge

And that Beethoven to his ear

Rang like a bluzzing midge

That bluzzed and bluzzed and bluzzed and bluzzed

Until the eye grew green

With shouting for dear visible things

Where nothing could be seen.

For nothing can be seen, my child,

And when it's seen it's read,

And when red nothing once is seen

The world can go to bed.

 

Page – 657


Surrealist

 

I heard a foghorn shouting at a sheep,

And oh the sweet sound made me laugh and weep

But ah, the sheep was on the hither shore

Of the little less and the ever-never more.

I sprang on its back; it jumped into the sea.

I was near to the edges of eternity.

Then suddenly the foghorn blared again.

There was no sheep  —  it had perished of ear pain.

I took a boat and steered to the Afar

Hoping to colonise the polar star.

But in the boat there was a dangerous goose

Whom some eternal idiot had let loose.

To this wild animal I said not "Bo!"

But it was not because I did not know.

Full soon I was on shore with dreadful squeals

And the fierce biped cackling at my heels.

Alarmed I ran into a lion's den

And after me ran three thousand armoured men.

The lion bolted through his own back door

And set up a morose dissatisfied roar.

At this my courage rose; I grew quite brave

And shoved myself into a tiger's cave.

The tiger snarled; I thought it best instead

To don my pyjamas and go to bed.

But the tiger had a strained objecting face,

So I turned my eyes away from his grimace.

At night the beast began my back to claw

And growled out that I was his brother-in-law.

I rose and thought it best to go away

To a doctor's house: besides 'twas nearly day.

The doctor shook his head and cried "For a back

Pepper and salt are the remedy, alack."

But I objected to his condiments

And thought the doctor had but little sense.

Then I returned to my own little cot

 

Page – 658


For really things were now extremely hot.

Then fierily the world cracked Nazily down

And I looked about to find my dressing gown.

I was awake (I had tumbled on the floor).

A shark was hammering at my front-door.

 

Surrealist Poems

 

1

 

I heard the coockcouck jabbering on the lea

And saw the spokesman sprinting on the spud;

The airmale soared to heaven majestically

And dropped down with a strange miraculous thud.

I could not break the bosom of the blue;

I went for a walk and waltzed with woe awhile.

The cat surprised me with a single mew;

The porridge was magnificently vile.

These things are symbols if you understand,

But who can understand when poets resolve

To nothing mean. The beautiful beast is banned;

The problem grows too difficult to solve.

 

[The heart of the surrealist poet should be unfathomable. The problem is how to mean nothing, yet seem to mean anything or everything. His poetry should be at once about nothing at all and about all things in particular; nonsensically profound and irrationally beautiful. Unknown and extraordinary words are not indispensable in its texture but can have a place, if sparingly and mystically used. One who can do these things and others of a congenital character is a surrealist poet: Willy Whistler.]

 

Page – 659


2

 

The Crossing of the Moro

 

My way is over the Moro river,

Amid projectiles and sad smiles.

Wind bottles in a ghastly jam

Explode before you can say damn.

But the jam is over and we have passed:

Alas, felicity can never last!

I see an aeroplane on high,

I hear it sob and sigh.

Fate happier has been yours, my lad,

For you are dead and I am mad.

Kiss not the corpse but shove it in.

Ah let the booby trap be.

There is a moan upon the moving sea.

 

Page – 660