MOTHER'S AGENDA

 

Vol. 4

 

Contents

  January 2, 1963
January 9, 1963
January 12, 1963
January 14, 1963
January 18, 1963
January 30, 1963

February 15, 1963
February 19, 1963
February 21, 1963
February 23, 1963


March 6, 1963
March 9, 1963
March 13, 1963
March 16, 1963
March 19, 1963
March 23, 1963
March 27, 1963
March 30, 1963

April 6, 1963
April 16, 1963
April 20, 1963
April 22, 1963
April 25, 1963
April 29, 1963

May 3, 1963
May 11, 1963
May 15, 1963
May 18, 1963
May 22, 1963
May 25, 1963
May 29, 1963

 

June 3, 1963
June 8, 1963
June 12, 1963
June 15, 1963
June 19, 1963
June 22, 1963
June 26, 1963
June 26, 1963
June 29, 1963

 

July 3, 1963
July 6, 1963
July 10, 1963
July 13, 1963
July 17, 1963
July 20, 1963
July 24, 1963
July 27, 1963
July 31, 1963

 

August 3, 1963
August 7, 1963
August 10, 1963
August 13, 1963
August 13, 1963
August 17, 1963
August 21, 1963
August 24, 1963
August 28, 1963
August 31, 1963

 

September 4, 1963
September 7, 1963
September 18, 1963
September 21, 1963
September 25, 1963
September 28, 1963


October 3, 1963
October 5, 1963
October 16, 1963
October 19, 1963
October 26, 1963
October 30, 1963


November 4, 1963
November 13, 1963
November 20, 1963
November 23, 1963
November 27, 1963
November 30, 1963


December 3, 1963
December 7, 1963
December 11, 1963
December 14, 1963
December 18, 1963
December 21, 1963
December 25, 1963
December 29, 1963
December 31, 1963

November 30, 1963

(After a meditation with Mother)

Do you believe in Muses?

In Muses?!... [Satprem is taken aback]... I believe in inspiration.

Because I saw ... It was so precise, so concrete, material, that for a moment I wondered whether it was physical or not. There was only the arm and shoulder of someone who stood behind you, but veiled, that is, as if behind a mist so as not to be seen. It was a woman's arm, very young, a very milky white, and a little rounded - not fat (!), but without angles. There was a hand and an arm, very white-skinned - a milky white - and I could see the beginning of a sort of silver dress. She had words and sheets of paper, and she was arranging words on the sheets, and then the words were written in black on the sheets - she had the words and the sheets separately, and she arranged the words on the sheets and then put the sheets in front of you. She was standing behind you. But not a vague and imprecise vision, it was very, very material.... (smiling) So I wondered if you have a Muse?

It was only her right arm - she wasn't very tall, but very young,

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and a shape without angles (I can't say plump!), a well-rounded shape. And with her small fingers she took the words and arranged them on the sheets, then when it was arranged (the sheets weren't covered all over with words: in places only), she put the sheet in front of you.

It lasted a long time.

A Muse ...

It was a being from the subtle physical, she didn't seem human at all.

And there were no letters: the words were ready-made, she took them and arranged them; then when there was a certain number of them on the paper, she would put the paper in front of you.

(silence)

So there's someone helping you.[[ Satprem is at the moment working on the final revision of his book on Sri Aurobindo. ]]

(silence)

At night, I often see beings who are like the genii of literary form - I've seen quite a number of them lately. Oh, they are extremely interested in small points and details of form so it may be very harmonious and exact at the same time. I surprised some (two or three together) almost arguing about the best way to say a certain thing. So it means you must be in the company of people like that.

They are certainly the beings that were in the past taken for the Muses, the genii of inspiration. They are the genii of the form. Not so much for what has to be said as for the way to say it.

They are a pleasant company; there is a sense of harmony, something that doesn't clash. It's a company that gives the feeling that everything unfolds harmoniously - which isn't all that common!

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