WRITINGS IN BENGALI

 

CONTENTS

 

NOTE

 

 

 

I. HYMNS

 

VIII. NATIONALISM 

 

HYMN TO DURGA 

(Dharma, No. 9, October, 1909)

 

THE OLD AND THE NEW

(Vividha Rachana, 1955)

 

HYMN TO DAWN

(Archives, April 1977)

 

THE PROBLEM OF THE PAST

(Dharma, No. 6, September, 1909)

     

THE COUNTRY AND NATIONALISM

(Dharma, No. 14, December, 1909)

 

II. STORIES

 

THE TRUE MEANING OF FREEDOM

(Dharma, No. 8, October, 1909)

 

 A DREAM 

(Suprabhat, 1909-1910)  

 

A WORD ABOUT SOCIETY

(Vividha Rachana, 1955)

 

THE IDEAL OF FORGIVENESS

(Dharma, No. 26;February, 1910)

 

FRATERNITY

(Dharma, No. 23, February, 1910)

     

INDIAN PAINTING

(Dharma, No. 25, February, 1910)

 

III. THE VEDA 

 

HIROBUMI ITO

Dharma, No. 10, November, 1909)

 

THE MYSTERY OF THE VEDA

(Vividha Rachana, 1955)

 

GURU GOVINDSINGH

(Dharma, No. 8, October, 1909)

 

AGNI THE DIVINE ENERGY

(Vividha Rachana, 1955)

 

NATIONAL RESURGENCE

(Dharma, No. 5, September, 1909)

 

 THE RIG-VEDA

(Vividha Rachana, 1955)

 

OUR HOPE

(Dharma, No. 20, January, 1910)

     

EAST AND WEST

(Dharma, No. 22, January, 1910)

 

IV. THE UPANISHADS

   
 

THE UPANISHADS

(Dharma, No. 15, December, 1909)

 

IX. PRISON EXPERIENCE

 

THE INTEGRAL YOGA IN THE UPANISHADS

(Vividha Rachana, 1955)

 

TALES OF PRISON LIFE

(Suprabhat, 1909-1910)

 

THE ISHA UPANISHAD  

(Vividha Rachana, 1955)

 

PRISON AND FREEDOM (Bharati)

     

THE ARYAN IDEAL AND THE THREE GUNAS

(Suprabhat, 1909-1910)..

 

V. THE PURANAS

 

NEW BIRTH

(Dharma, No. 2, August, 1909) ...

 

THE PURANAS

(Dharma, No. 17, December, 1909)

   
     

X. LETTERS    

 

VI. THE GITA 

 

LETTERS TO MRINALINI ( 1905-1907)

 

THE DHARMA OF THE GITA

(Dharma, No. 2, August, 1909)

 

A LETTER OF SRI AUROBINDO TO HIS BROTHER  (1920)

 

ASCETICISM AND RENUNCIATION  

(Dharma, No. 3, September, 1909)

 

LETTERS TO N.AND S.

(Published, 1951 & 1959)

OBSTACLES AND DIFFICULTIES

 

THE VISION OF THE WORLD SPIRIT

(Dharma, No. 23, February, 1910)

 

PARTS OF THE BEING

 

THE GITA: AN INTRODUCTION

(Dharma, Nos. 7-24, 1909-1910)

 

FOUNDATIONS OF YOGA

 

THE GITA: TEXT TRANSLATION

(Dharma, No. 10, 1909)

 

EXPERIENCE, DIRECT PERCEPTION AND REALISATION

 

SANJAYA'S GIFT OF DIVINE VISION

(Dharma, Nos. 11-18, 1909-1910) ...

 

DEPENDENCE ON THE MOTHER

 

THE GITA: TEXT-TRANSLATION (2)

(Dharma, Nos. 19-24, 1910)

 

INNER VISION SYMBOLS COLOURS

     

DEVOTION FAITH RELIANCE

 

VII. DHARMA  

 

THE PSYCHIC BEING

 

THE CHARIOT OF JAGANNATHA

 (Prabartak, 1918)

 

PRIDE IMPURITY GRIEF DESPAIR

 

THE THREE STAGES OF HUMAN SOCIETY

(Vividha Rachana, 1955)

 

PLANES OF CONSCIOUSNESS

 

AHANKAR

(Dharma, No. 5, September, 1909

   
 

INTEGRALITY 

(Vividha Rachana, 1955)

 

XI. POETRY

 

HYMNS AND PRAYERS

(Dharma, No. 24, February, 1910)

 

THE MOTHER AWAKES

(Archives, April 1980)

 

OUR RELIGION

(Dharma, No. 1, August, 1909)

 

LIVING MATTER

(Archives, December 1979)

 

MAYA

(Dharma, No. 3, August, 1909)

 

THE MUSIC OF SILENCE

(Archives, April 1978)

 

NIVRITTI  OR ABSTENTION

(Dharma, No. 12, November, 1909)

 

RAVANA VANQUISHED

(Archives, April 1979)

 

PRAKAMYA

(Dharma, Nos.-17 and 18, 1909-1910)

 

A COLLOQUY

(Archives, December 1980)

     

A POETIC FRAGMENT

(Archives, April 1981)

 

Inner Vision—Symbols—Colours

 

During the meditation, just as one can see different scenes, one can also see writings. We call these writings "inscriptions or sky-writings". They can be seen with eyes closed or open.

 

*

*   *

These are symbols—a white flower is a symbol of consciousness, the sun  represents Knowledge or Truth, the moon stands for the spiritual light, the star indicates creation, fire symbolises tapasya. askesis or aspiration.

Golden rose = love and surrender full of the true consciousness.

White lotus = the Mother's Consciousness (Divine Consciousness).

The cow is a symbol of consciousness and light. A white cow means the higher pure consciousness.

The child is your psychic being who is bringing out the true things from within you—the road is that of the Higher Mind going up towards the Truth.

*

*    *

There are five fires in the Vedic sacrifice. If the five are not there, the sacrifice is incomplete. We may say that we need these five fires in the psychic, the mental, the vital, the

Page-419


physical and the subconscient.

*

*   *

The tree is the spiritual life within. Golden peacocks, sitting on every part of it, are symbols of victory of the Truth. The moon is the light of the spiritual force.

 

*

*   *

The lotus situated above the head is the centre of the Higher Consciousness. Probably this lotus wants to bloom. The spirituality that began to shine in the vital was the half moon. There had been an eclipse of the moon. The green colour means the true vital force. The sunrise here is the manifestation of the true consciousness in the vital plane.

The moon == spiritual light.

The elephant = strength.

The golden elephant = strength of the true consciousness.

Green is the colour of the light of, emotions.

*

*    *

The sun has many forms and light many colours. The sun can equally be red, golden, blue or green, etc. Blue == higher Mind. Sunlight = Light of Divine Truth.

Page-420


Bright red = Divine Love or Force of the Higher Consciousness.

 

*

*    *

The upward movement of the vital being is towards the Divine and the Truth. The power of Truth (golden light) and of the Higher Mind (blue light) has manifested and is coming down and moving in that ascending vital consciousness.

 

*

*    *

The blue light is mine, the white light is the Mother's. When the Higher Consciousness with its universality first begins to descend into the being, it is very natural to see blue light.

 

*

*     *

This is the Higher Consciousness above the mind from where peace, light, force, etc. come—the white lotus is the Mother's Consciousness, the red lotus is my conscious- ness—knowledge and light of the Truth are always there.

 

*

*    *

Blue is the colour of the higher mind. Blue lotus; it is the opening of that higher mind in your consciousness.

Page-421


White light is the light of the divine consciousness. Blue light is the light of the higher consciousness. The silver light is the light of spirituality.

*

*  *

The snake is a symbol of energy. A higher energy stands on the higher consciousness above the head.

 

*

*    *

Water is the symbol of consciousness. What rises up is desire or the askesis of consciousness.

 

*

*   *

It is my light if it is whitish blue. If pure blue, it is the light of the higher knowledge.

 

*

*    *

   The significance of the colour of an orange is to have union with the Divine and to have the touch of a higher conscious- ness,

 

*

*   *

Muladhar is the inner centre of the physical. The pond is the opening or formation of consciousness. The red lotus is the symbol of Sri Aurobindo's presence in that consciousness

Page-422


and the rosy light signifies the descending love in the inner physical.

 

*

*   *

The snake is an energy of nature. Muladhar (physical centre) is one of its main seats. It remains asleep there in a coiled state. When awakened by sadhana, it unites itself with the higher truth. With the descent of the Mother's Force it has become golden, that is to say, filled with divine Truth.

 

*

*  *

All these experiences are the symbols of earthly outer

nature.

Red lotus = The Divine Harmony.

Blue light = The higher consciousness.

Golden Temple = The temple of the Divine Truth.

Remain calm and quiet, then all these will slowly develop

in your outer nature and life as well.

 

*

*   *

The white rose signifies loving surrender to the Mother. Its result will be the spread of light and truth in your ādhara. The white lotus means the Mother's fully awakened Consciousness on your mental plane. The red-gold is the radiance of the Supramental in the physical.

Page-423