THE HARMONY OF VIRTUE

 

 SRI AUROBINDO

 

Contents

 

 

Section One

THE HARMONY OF VIRTUE

 

 

THE HARMONY OF VIRTUE  

 

BEAUTY IN THE REAL  

 

STRAY THOUGHTS  

 

 

Section Two

BANKIM CHANDRA CHATTERJEE

 

Section Three

THE SOURCES OF POETRY AND OTHER ESSAYS

 
 

I.    HIS YOUTH AND COLLEGE LIFE

 

THE SOURCES OF POETRY

 

 

II.  THE BENGAL HE LIVED IN  

ON ORIGINAL THINKING

 

 

III. HIS OFFICIAL CARRIER  

THE INTERPRETATION OF SCRIPTURE

 

 

IV. HIS VERSATILITY  

SOCIAL REFORM

 

 

V.  HIS LITERARY HISTORY  

EDUCATION

 

 

VI. WHAT HE DID FOR BENGAL  

LECTURE IN BARODA COLLEGE

 

 

VII. OUR HOPE IN THE FUTURE      

 

 

Section Four

VALMIKI AND VYASA

 

 

THE GENIUS OF VALMIKI  

 

NOTES ON THE MAHABHARATA  

 

VYASA: SOME CHARACTERISTICS  

 

THE PROBLEM OF THE MAHABHARATA  

 

 

Section Five

KALIDASA

 

 

KALIDASA  

 

THE AGE OF KALIDASA  

 

THE HISTORICAL METHOD  

 

ON TRANSLATING KALIDASA  

 

KALIDASA'S "SEASONS"  

 

VIKRAM AND THE NYMPH  
  KALIDASA'S CHARACTERS  

 

HINDU DRAMA  

 

SKELETON NOTES ON THE KUMARASAMBHAVAM  

 

A PROPOSED WORK ON KALIDASA  

 

 

Section Six
THE BRAIN OF INDIA
 

 

THE BRAIN OF INDIA  

 

 

Section Seven
FROM THE "KARMAYOGIN"
 

 

KARMAYOGA  

 

THE PROCESS OF EVOLUTION  

 

THE GREATNESS OF THE INDIVIDUAL  

 

YOGA AND HUMAN EVOLUTION  

 

THE STRESS OF THE HIDDEN SPIRIT  

 

THE STRENGTH OF STILLNESS  

 

THE THREE PURUSHAS  

 

MAN — SLAVE OR FREE?  

 

FATE AND FREE-WILL  

 

THE PRINCIPLE OF EVIL  

 

YOGA AND HYPNOTISM  

 

STEAD AND THE SPIRITS  

 

STEAD AND MASKELYNE  

 

HATHAYOGA  

 

RAJAYOGA  

 

 

 

Stray Thoughts

 

FLOWERS and trees are the poetry of nature; the gardener is a romantic poet who has added richness, complexity of effect and symmetry to a language otherwise distinguished merely by facility, by directness and by simplicity of colour and charm.

   

*

 

Sound is more essential to poetry than sense. Swinburne who often conveys no meaning to the intellect, yet fills his verse with lovely and suggestive melodies, can put more poetry into one such line than Pope into a hundred couplets of accurate sense and barren music. A noble thought framed in a well-rounded sentence will always charm by virtue of its satisfying completeness, but will never convey that exquisite agony of rapture which a line of perfect melody conveys to the sensitive soul.

The melody of words has this advantage over the melody of mere sounds that it needs only a soul to understand poetry but to comprehend music a technical education as well.

 

*

 

To govern life by fixed laws and a pocket-handbook!

 

*

 

Beware of heavy touches above all in tragedy: comedy heavily stressed becomes the grotesque, which has its value in art; tragedy heavily stressed becomes melodrama, which has no value anywhere.

         

           *

 

Page – 71


One step beyond the sublime and you are in the grotesque.

 

*

 

Art holds the mirror up to Nature that Nature may see her own image beside that of Art and realise her own deformity and imperfections.

 

*

 

It was Meredith who taught me that the epigram is the soul of style, and Plato who whispered that rhythm is its body, words are the texture of the flesh and sentences the system of hard matter that gives it consistency: the texture of the flesh may be coarse or delicate, and as you design so you shall build.

 

*

 

Just as Socrates was nothing without his daemon, so the artist is helpless if he has not his daemon at his elbow. And who is the artist's daemon? 

The artistic conscience.

Inspiration means that the papyrus of your imagination is held to the fire of memory and reveals characters written in Indian ink by unseen compositors.

 

NOTE: Stray Thoughts - Reproduced from notes found in a manuscript belonging to student days in England, 1890-92.

 

Page – 72