May 15, 1973

KRISHNA IN GOLD

(A vision of Sujata's on the afternoon of May 15)

(original English)

A place similar to the Playground. A few people, here and there,

 are talking or going about.

I am standing somewhere in the middle of the ground, in front of

 Mother's door.

From the main gate enters a vehicle - half-cart half-cab - drawn

 by two bullocks. It comes to a stop a few feet away from me. The

driver makes the bullocks kneel down. Out steps a gentleman. The

 cart is driven away.

The gentleman is dressed in white, Indian-fashion (dhoti, punjabi).

He is round-faced and fair-skinned. Reminds me of a Zamindar

 [landlord] from the North. In fact he is the new Proprietor coming

 to take possession.

The doors behind me are locked He has the keys.

But he is not supposed to open one particular room: the one I

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thought was Mother's. But he goes straight there and unlocks that

 door.

He enters. I too, as if I had the right to do so.

We weave our way to the bottom of this room. I have a vague

 impression of a small window on the end wall. And in the left cor

ner, is a richly decorated high throne. Seated in it is a Divinity.

He is quite small in that huge throne (about two feet or so).

He is made of solid gold.

At his feet are signs and objects of worship.

As we approach him, a sort of intense prayer or aspiration takes

 hold of me. We stand in front looking at him - my whole being is

one intense prayer or invocation. The Divinity comes alive. He

 smiles slightly, then steps down.

He barely reaches my breast and seems to me like a little boy of

eight or ten.

The three of us come out of the room. The scene has changed

 Now it is a countryside. A vast, unlimited expanse stretches in

 front. A few plots are cultivated, but most of the land is untended.

We walk. We walk on a narrow ridge by the side of a cultivated

 rice-field, which is to the right of us. It is green. I am nearest to it.

 The gentleman is the farthest. The Divinity is between us. He has a

 funny walk. He is so heavy (being made of solid gold) that he seems

 to lurch from side to side. I feel concerned and hold his arm to help

 him. I feel a tenderness also as for a child.

Then I turn my face towards him to reassure him. But instead of

me looking down it is he who looks down on me! I am really

 astonished to see how tall he has grown during this short walk of

 but a few steps! Now it is I who reach hardly his shoulder. He

 seems to have grown to a lad of 13 or 14.

As I took up, he looks down at me and smiles. Ohh, what a smile!

Utterly sweet and full of mischief. It contained a world: "You see, I

 am quite all right. Now you will see what fun we have!"

We walk on. To our left, sitting cross-legged, head bent, is M. [a

 disciple very learned in Sanskrit texts]. As we advance, I think,

"What a pity, we shall pass right in front of him, but he would not

 even know WHO passed by!" But as we near, he raises his head and

 sees. I feel glad for M.

We walk on. Now the scenes change fast. We meet more and

 more people. Trees. Roads. Still more people. Wherever we go there

 is trouble, disturbance, confusion. As if the Godhead were sowing

 disruption everywhere. The Zamindar gets annoyed. He had

 brought out the Divinity to show people what a fine fellow he was!

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Everybody should have great respect for him, obey him, for is he

 not the Proprietor? But the God had just the opposite effect! He

 should no longer be abroad. He must be put back where he belonged,

 and relocked.

So we return to the sanctuary. This time I remain outside. The

 Zamindar takes the God inside. And tries to shut the door.

But the Godhead will not be shut in.

I can see the gold God growing, growing.

The ceiling falls in. The god's head and chest go through the

 ceiling. He rips oft the walls and throws bricks everywhere. The

 Zamindar has disappeared under the debris.

The gold God grows. Taller and mightier. And will brook no

resistance. With His mighty hands, He pulls down the walls of His

old sanctuary.

When I woke up, I called Him "Krishna in gold."

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