ESSAYS DIVINE AND HUMAN

 

CONTENTS

 

Pre-content

 

 

Part One

Essays Divine and Human

 

Section One (circa 1911)

 

Certitudes

Moksha

Man

Philosophy

The Siddhis

The Psychology of Yoga

 

 

Section Two (1910 ­ 1913)

 

Na Kinchidapi Chintayet

The Sources of Poetry

The Interpretation of Scripture

On Original Thinking

The Balance of Justice

Social Reform

Hinduism and the Mission of India

The Psychology of Yoga

The Claims of Theosophy

Science and Religion in Theosophy

Sat

Sachchidananda

The Silence behind Life

 

 

Section Three (circa 1913)

 

The Psychology of Yoga

Initial Definitions and Descriptions

The Object of Our Yoga

 

Purna Yoga

I. The Entire Purpose of Yoga

II. Parabrahman, Mukti and Human Thought-Systems

III. Parabrahman and Parapurusha

 

Natural and Supernatural Man

The Evolutionary Aim in Yoga

The Fullness of Yoga—In Condition

Nature

Maya

 

 

Section Four (1914 ­ 1919)

 

The Beginning and the End

The Hour of God

Beyond Good and Evil

The Divine Superman

 

 

Section Five (1927 and after)

 

The Law of the Way

Man and the Supermind

The Involved and Evolving Godhead

The Evolution of Consciousness

The Path

 

 

 

Part Two

From Man to Superman: Notes and Fragments on Philosophy, Psychology and Yoga

 

Section One. Philosophy: God, Nature and Man

 

God: The One Reality

Nature: The World-Manifestation

Man and Superman

 

 

Section Two. Psychology: The Science of Consciousness

 

The Problem of Consciousness

Consciousness and the Inconscient

The Science of Consciousness

 

 

Section Three. Yoga: Change of Consciousness and Transformation of Nature

 

The Way of Yoga

Partial Systems of Yoga

Integral Yoga

 

 

Part Three

Notes and Fragments on Various Subjects

 

Section One. The Human Being in Time

 

The Marbles of Time

A Theory of the Human Being

A Cyclical Theory of Evolution

 

 

Section Two. The East and the West

 

A Misunderstanding of Continents

Towards Unification

China, Japan and India

 

 

Section Three. India

 

Renascent India

Where We Stand in Literature

 

 

Section Four. Genius, Poetry, Beauty

 

The Origin of Genius

Poetic Genius

The Voices of the Poets

Pensées

A Dream

The Beauty of a Crow's Wings

 

 

Section Five. Science, Religion, Reason, Justice

 

Science

Religion

Reason and Society

Justice

 

 

Part Four

Thoughts and Aphorisms

 

Jnana

Karma

Bhakti

Additional Aphorisms

 

NOTE ON THE TEXTS

 

Towards Unification

 

The progress of distance-bridging inventions, our modern facility for the multiplication of books and their copies and the increase of human curiosity are rapidly converting humanity into a single intellectual unit with a common fund of knowledge and ideas and a unified culture. The process is far from complete, but the broad lines of the plan laid down by the great Artificer of things already begin to appear. For a time this unification was applied to Europe only. Asia had its own triune civilisation, predominatingly spiritual, complex and meditative in India, predominatingly vital, emotional, active and simplistic in the regions of the Hindu Kush and Mesopotamia, predominatingly intellectual, mechanical and organised in the Mongolian empires. East, West and South had their widely separate spirit and traditions, but one basis of spirituality, common tendencies and such commerce of art, ideas and information as the difficulties of communication allowed, preserved the fundamental unity of Asia. East & West only met at their portals, in war oftener than in peace and through that shock and contact influenced but did not mingle with each other. It was the discovery of Indian philosophy and poetry which broke down the barrier. For the first time Europe discovered something in the East which she could study not only with the curiosity which she gave to Semitic and Mongolian ideas and origins, but with sympathy and even with some feeling of identity. This metaphysics, these epics and dramas, this formulated jurisprudence and complex society had methods and a form which, in spite of their diversity from her own, yet presented strong points of contact; she could recognise them, to a certain extent she thought she could understand. The speculativeness of the German, the lucidity of the Gaul, the imagination and aesthetic emotionalism of the British Celt found something to interest them, something even to assist. In   

 

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the teachings of Buddha, the speculation of Shankara, the poetry of Kalidasa their souls could find pasture and refreshment. The alien form and spirit of Japanese and Arabian poetry and of Chinese philosophy which prevented such an approximation with the rest of Asia, was not here to interfere with the comprehension of the human soul & substance. There was indeed a single exception which remarkably illustrates the difficulty of which I speak. The art of India contradicted European notions too vitally to be admitted into the European consciousness; its charm and power were concealed by the uncouthness to Western eyes of its form and the strangeness of its motives and it is only now, after the greatest of living art-critics in England had published sympathetic appreciations of Indian art and energetic propagandists like Mr. Havell had persevered in their labour, that the European vision is opening to the secret of Indian painting & sculpture. But the art of Japan presented certain outward characteristics on which the European could readily seize. Japanese painting had already begun to make its way into Europe even before the victories of Japan and its acceptance of much of the outward circumstances of European civilisation opened a broad door into Europe for all in Japan that Europe can receive without unease or the feeling of an incompatible strangeness. Japanese painting, Japanese dress, Japanese decoration are not only accepted as a part of Western life by the select few and the cultured classes but known and allowed, without being adopted, by the millions. Asiatic civilisation has entered into Europe as definitely though not so victoriously as European civilisation into Asia. It is only the beginning, but so was it only the beginning when a few scholars alone rejoiced in the clarity of Buddhistic Nihilism, Schopenhauer rested his soul on the Upanishads and Emerson steeped himself in the Gita. No one could have imagined then that a Hindu monk would make converts in London and Chicago or that a Vedantic temple would be built in San Francisco and Anglo-Saxon Islamites erect a Musulman mosque in Liverpool. It appears from a recent inquiry that the only reading, omitting works of fiction, which commands wide and general interest   

 

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among public library readers is either scientific works or books replete with Asiatic mysticism. How significant is this fact when we remember that these are the two powers, Europe & Asia, the victorious intellect and the insurgent spirit, which are rising at this moment to do battle for the mastery of the unified world. Nevertheless it is not the public library reader, that man in the street of the literary world, but the increasing circle of men of culture and a various curiosity through whom the Orient & the Occident must first meet in a common humanity and the day dawn when some knowledge of the substance of [the] Upanishads will be as necessary to an universal culture as a knowledge of the substance of the Bible, Shankara's theories as familiar as the speculations of Teutonic thinkers and Kalidasa, Valmekie & Vyasa as near and common to the subject matter of the European critical intellect as Dante or Homer.

It is the difficulties of presentation that prevent a more rapid and complete commingling.  

 

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