TRANSLATIONS

 

CONTENTS

 

Pre-content

 

 

Part One 

Translations from Sanskrit

 

Section ONE

The Ramayana : Pieces from the Ramayana

1. Speech of Dussaruth

2. An Aryan City

3. A Mother's Lament

4. The Wife

An Aryan City: Prose Version

The Book of the Wild Forest

The Defeat of Dhoomraksha

 

Section Two

The Mahabharata   Sabha Parva or Book of the Assembly-Hall :

Canto I: The Building of the Hall

Canto II: The Debated Sacrifice

Canto III: The Slaying of Jerasundh

Virata Parva: Fragments from Adhyaya 17

Udyoga Parva: Two Renderings of the First Adhaya

Udyoga Parva: Passages from Adhyayas 75 and 72

 

The Bhagavad Gita: The First Six Chapters

 

Appendix I: Opening of Chapter VII

Appendix II: A Later Translation of the Opening of the Gita

Vidula

 

  Section Three

Kalidasa

Vikramorvasie or The Hero and the Nymph

 

 

In the Gardens of Vidisha or Malavica and the King:

 

 

The Birth of the War-God

Stanzaic Rendering of the Opening of Canto I

Blank Verse Rendering of Canto I

Expanded Version of Canto I and Part of Canto II

 

Notes and Fragments

Skeleton Notes on the Kumarasambhavam: Canto V

The Line of Raghou: Two Renderings of the Opening

The Cloud Messenger: Fragments from a Lost Translation

 

Section Four

Bhartrihari

The Century of Life

Appendix: Prefatory Note on Bhartrihari

 

Section Five

Other Translations from Sanskrit

Opening of the Kiratarjuniya

Bhagawat: Skandha I, Adhyaya I

Bhavani (Shankaracharya)

 

 

Part Two

Translations from Bengali

 

Section One

Vaishnava Devotional Poetry

Radha's Complaint in Absence (Chundidas)

Radha's Appeal (Chundidas)

Karma: Radha's Complaint (Chundidas)

Appeal (Bidyapati)

Twenty-two Poems of Bidyapati

Selected Poems of Bidyapati

Selected Poems of Nidhou

Selected Poems of Horo Thacoor

Selected Poems of Ganodas

 

 

Section Two

Bankim Chandra Chatterjee

Hymn to the Mother: Bande Mataram

Anandamath: The First Thirteen Chapters

 

Appendix: A Later Version of Chapters I and II

 

 

Section Three

Chittaranjan Das

Songs of the Sea

 

 

Section Four

Disciples and Others

Hymn to India (Dwijendralal Roy)

Mother India (Dwijendralal Roy)

The Pilot (Atulprasad Sen)

Mahalakshmi (Anilbaran Roy)

The New Creator (Aruna)

Lakshmi (Dilip Kumar Roy)

Aspiration: The New Dawn (Dilip Kumar Roy)

Farewell Flute (Dilip Kumar Roy)

Uma (Dilip Kumar Roy)

Faithful (Dilip Kumar Roy)

Since thou hast called me (Sahana)

A Beauty infinite (Jyotirmayi)

At the day-end (Nirodbaran)

The King of kings (Nishikanto)

 

 

Part Three

Translations from Tamil

 

Andal

Andal: The Vaishnava Poetess

To the Cuckoo

I Dreamed a Dream

Ye Others

 

 

Nammalwar

Nammalwar: The Supreme Vaishnava Saint and Poet

Nammalwar's Hymn of the Golden Age

Love-Mad

 

 

Kulasekhara Alwar

Refuge

 

 

Tiruvalluvar

Opening of the Kural

 

 

Part Four

Translations from Greek

 

Two Epigrams

Opening of the Iliad

Opening of the Odyssey

Hexameters from Homer

 

 

Part Five

Translations from Latin

 

Hexameters from Virgil and Horace

Catullus to Lesbia

 

NOTE ON THE TEXTS

Nammalwar's Hymn of the Golden Age

 

'Tis glory, glory, glory! For Life's hard curse has expired; swept out are Pain and Hell, and Death has nought to do here. Mark ye, the Iron Age shall end. For we have seen the hosts of Vishnu; richly do they enter in and chant His praise and dance and thrive.

(1)

 

We have seen, we have seen, we have seen — seen things full sweet for our eyes. Come, all ye lovers of God, let us shout and dance for joy with oft-made surrenderings. Wide do they roam on earth singing songs and dancing, the hosts of Krishna who wears the cool and beautiful Tulsi, the desire of the Bees.

(2)

 

The Iron Age shall change. It shall fade, it shall pass away. The gods shall be in our midst. The mighty Golden Age shall hold the earth and the flood of the highest Bliss shall swell. For the hosts of our dark-hued Lord, dark-hued like the cloud, dark-hued like the sea, widely they enter in, singing songs, and everywhere they have seized on their stations.

(3)

 

The hosts of our Lord who reclines on the sea of Vastness, behold them thronging hither. Me seems they will tear up all these weeds of grasping cults. And varied songs do they sing, our Lord's own hosts, as they dance falling, sitting, standing, marching, leaping, bending.

(4)

 

And many are the wondrous sights that strike mine eyes. As by magic have Vishnu's hosts come in and firmly placed themselves everywhere. Nor doubt it, ye fiends and demons, if, born such be in our midst, take heed! ye shall never escape. For the Spirit of Time will slay and fling you away.

(5)

 

These hosts of the Lord of the Discus, they are here to free this earth of the devourers of Life, Disease and Hunger and vengeful Hate and all other things of evil. And sweet are their songs as they leap and dance extending wide over earth. Go forth, ye lovers of God and meet these hosts divine; with right minds serve them and live.

(6)

 

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The Gods that ye fix in your minds, in His name do they grant you deliverance. Even thus to immortality did the sage Markanda attain. I mean no offence to any, but there is no other God but Krishna. And let all your sacrifices be to them who are but His forms.

(7)

 

His forms he has placed as Gods to receive and taste the offerings that are brought in sacrifices in all the various worlds. He our divine Sovereign on whose mole-marked bosom the goddess Lakshmi rests — His hosts are singing sweetly and deign to increase on earth. O men, approach them, serve and live.  

(8)

 

Go forth and live by serving our Lord, the deathless One. With your tongues chant ye the hymns, the sacred Riks of the Veda, nor err in the laws of wisdom. Oh, rich has become this earth in the blessed ones and the faithful who serve them with flowers and incense and sandal and water.

(9) I

 

n all these rising worlds they have thronged and wide they spread, those beauteous forms of Krishna — the unclad Rudra is there, Indra, Brahma, all. The Iron Age shall cease to be — do ye but unite and serve these.

(10)

 

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